*This is a companion piece to a similarly-themed article on Karen’s site which, all things being equal, should be published at roughly the same time.*
We’ve listened to this playlist probably more than any of the others so far, as we went to Worcestershire at the weekend. I think this might be the first time I’ve left Berkshire in 2009. It gave us ample opportunity to listen to it. The Spotify playlist is so incomplete as to be mostly useless, but hey.
1. **Hey Jack Kerouac** from In My Tribe – off the bat, I’m aware that Natalie Merchant has one of those vocal styles which means that you’ll struggle to figure out the lyrics just by listening. There’s potentially lots of fun to be had here. Fairly pleasant, inoffensive song.
2. **Don’t Talk** from In My Tribe – more of the same, very jangly 80s guitars. It’s hard to categorise the genre of 10,000 Merchants, but I suppose my initial reaction was “that sounds a bit like Blondie”.
3. **Like The Weather** from In My Tribe – I’ve come to the conclusion that I really like this song. The guitar hook, the vocal melody, the rhythm, the handclaps, the bassline. There’s lots of cute details in the drum part too. Utterly dishy.
4. **Eat For Two** from Blind Man’s Zoo – decent song, but those jangly guitars in the chorus do start to grate after a while. There’s nothing particularly remarkable to single it out, except perhaps the bass run that leads into the chorus. Quite listenable though.
5. **These Are Days** from Our Time In Eden – this one sounds like the theme tune to an American TV show. I can’t listen without imagining a series of one-second clips of some impossibly-good-looking teenagers or twentysomethings with the actor’s name superimposed.
6. **Trouble Me** from MTV Unplugged – a fairly good song, but fairly uninteresting. Musically speaking, it doesn’t feel like much effort went into this. I guess Natalie wrote some lyrics and a chord sequence, and then the rest of the band just phoned it in.
7. **Because The Night** from MTV Unplugged – not terribly different from Patti Smith’s original, but definitely better. Perhaps a bit quicker, far superior vocal performance, much more sensitive drumming.
8. **Carnival** from Tigerlily – very strongly reminiscent of Texas (you know, the band fronted by Sharleen Spiteri). I think the main reason why I have this association is because the backing vocals mirror the main vocal melody, but an octave higher. That’s a very Texasy thing, in my head. This song has made quite an impression on me – it’s memorable, albeit at 6 minutes long, it’s not very lean.
9. **This House Is On Fire** from Motherland – Karen took the words right out of my mouth when she said “sounds like Kosheen!” Well, it sounds like one of Kosheen’s slow songs. The similarity is mainly in the vocal performance. Speaking of vocal performances, she sees to be enunciating a bit more clearly in her solo stuff. And the songs seem to be a bit more crafted than the thrown-togetheredness that was apparent in the 10,000 Maniacs material.
10. **Which Side Are You On?** from The House Carpenter’s Daughter – for some people, this kind of slow, miserable folk music is their kind of thing. Not me.
So, in conclusion: I know that Karen’s really enjoyed this playlist, but it’s a bit more her kind of thing than mine. For me, this is a 5/10. No strong feelings one way or the other, though *Like The Weather* definitely has a chance of making it onto my end of year highlights playlist (assuming that such a thing will come to pass).
The next week’s playlist
Random number: 68
Two playlists on this page. The Bernard Device chose the first, which is Chic Productions. The book says:
> In the late 1970s and early 80s the sond of the Chic production team (guitarist Nile Rodgers and bassist Bernard Edwards) was the sleekest and most stylish in popular music. Some might even say that it was never surpassed.
Yay! More disco!